Getting outside to paint en plein aire this summer has really been a challenge since the majority of this summer has been subject to much heavy rainfall. This piece was actually started on a misty rainy day and was worked on over a period of a few days. In the past my plein aire work was completed in one session however lately I have taken a different approach and have started to work on the same piece over a span of a few days. That means I start a picture and then return to the same site at the same time of day under the same lighting conditions until I consider the painting finished. This new approach has been beneficial for me because I have learned considerably more through intensive direct observation. I have also taken a new approach in modifying my palette in hopes to create more saturated naturalistic vibrant colors.
Back in March of 2018 I decided to recreate the DuMond Prismatic Landscape Palette Chart and donate it to the Ridgewood Art Institute. That’s me above in the video creating the new chart. The original chart that we used was made by Joe Paquet. As you can see it was heavily used and covered in paint swatches. This made it difficult to discern the original values and colors that lay underneath. The new chart is much easier to read and will provide many years of use. It was nice to get a nod by former Board Member Ed Horvath of the Ridgewood Art Institute for my contribution to furthering the Frank Vincent DuMond, Arthur F. Maynard, and John P. Osborne legacy at the Ridgewood Art Institue.
Exelente blog!
ReplyDeleteFelicitaciones.
Lamento no saber inglés. Me gustaría saber inglés para interpretar todos las entradas.
Saludos.
Diego
Great blog!
Congratulations.
I regret not knowing English. I would like to know English to interpret all the entries.
Greetings.
Diego
Dear Diego, Thank you so much for visiting my blog and thank you for your wonderful kinds words! Please do come back and visit!
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