Skip to main content

Tubing Your Own Colors

When I first started painting my teacher introduced me to tubing colors.  Being a new student I did not quite understand the benefits of tubing my own colors and thought the mixing and tubing process to be fun while being labor intensive.  Later on when I put those tubed colors to use did I realized just how beneficial it was to have an abundant supply of color on hand readily available.  There was no longer the need to be constantly mixing up color hither and thither. All I had to do was reach into my paint box, open a tube of color, squeeze out some paint onto my palette and start painting.  Now I am introducing the concept of tubing colors to my students.  It is a great kick to watch them take out their supply of empty paint tubes, pigments, palette knives and see the amazement on their faces as the pigments get swirled together into large toffee colored mounds of paint that morph into flesh tones that rival makeup foundation products.
When I proposed the idea of mixing and tubing flesh tones to my student Kay, she jumped right at the opportunity.  The series of photographs show her mixing and tubing and occasionally yours truly is shown giving a hand with the work.  
Labels:

Comments

  1. AnonymousJuly 14, 2009 at 6:51 PM

    Hi Diana, I recently read a brief article in American Artist magazine concerning the "Prismatic Palette". I'm not sure I completely understand it, and it would be helpful for those of us not on the east coast to have a more in-depth explanation of the specifics concerning the color mixing process. Is ther a source, i.e. book, video/DVD, etc. that would help someone wanting to explore this matter more fully. thanks in advance for any leads. Ray

    ReplyDelete
  2. Diana K GibsonJuly 26, 2009 at 1:12 PM

    Hi Ray,

    To my knowledge I don't know of any books or videos/DVD's that offer information about the specifics of the color mixing processes of the DuMond (prismatic palette.) You could look for Frank Reilly's publications for some references to DuMond's prismatic theories (he studied under DuMond and documented his brushwork and their relationships.) Though I think you will find more on the Munsell scale as opposed to DuMond. Probably your best bet would be to find a competent teacher who is from the DuMond lineage and study with them.

    ReplyDelete
  3. AnonymousMarch 8, 2010 at 9:50 AM

    What specific color mixtures (percentages) do you use when you tube paint for portraiture? Do you pre-mix both light and shadow colors?

    ReplyDelete
  4. Diana K GibsonMarch 9, 2010 at 11:24 PM

    Dear Anonymous,

    To answer your question yes, both the light and shadow colors are premixed and tubed. Some prefer to only pre-mix and tube the light flesh tones, but I find it advantageous to have the shadow colors pre-mixed and tubed as well. The shadow colors are derived through various combinations of blue, red and orange. Whilst the light flesh tones are derived from gray, yellow, orange and various reds. The percentages of what specific colors are applied to what is rather difficult to relay in text. It is something that if seen would translate and be better explained as well as understood. I hope that gives you some information to work with. Sorry I couldn't be more precise with the percentages. :)

    Cheers!
    Diana

    ReplyDelete
  5. DebraMay 21, 2011 at 11:38 AM

    I have always wanted to try tubeing my own paints, but have never been able to find the tubes. Do you have a link where they can be found?

    ReplyDelete
  6. Diana K GibsonMay 22, 2011 at 10:17 AM

    Hi Debbie,

    Here is a link to Dickblick's online store. This should bring right to a page that offers empty paint tubes for purchase! Happy tubing!

    http://www.dickblick.com/products/richeson-empty-paint-tubes/

    ReplyDelete

Post a Comment

Popular posts from this blog

Understanding the DuMond palette-A brief tutorial

Many of my students ask me, "what is this palette that you are teaching me?" To which I reply "a palette that my teacher's teacher's teacher developed some time ago long before you and I were born." Of course this explanation fetches some curious looks, but in truth, the palette has been handed down through the generations from teacher to student. Fortunately it was handed down to me and happily I am handing it down to a future generation of aspiring artists. At first glance, the prismatic palette appears to be of a complex nature with many colors. As shown above it proffers an array of a multitude of manufactured and premixed colors laid out in strings according to values. The top string of colors are manufactured pigments ranging from white, yellow, orange, red, blue, and black. The rest of the palette is comprised of pre-mixed colors in eight equal steps of light gray to dark gray, eight equal steps of light blue to dark blue and eight equal steps of li
3 comments
Read more

DuMond Prismatic Landscape Palette

  Back in March of 2018 I decided to recreate the DuMond Prismatic Landscape Palette Chart and donate it to the Ridgewood Art Institute.    That’s me above in the video creating the new chart. The original chart that we used was made by Joe Paquet.  As you can see it was heavily used and covered in paint swatches.    This made it difficult to discern the original values and colors that lay underneath. The new chart is much easier to read and will provide many years of use. It was nice to get a nod by former Board Member Ed Horvath of the Ridgewood Art Institute for my contribution to furthering the Frank Vincent DuMond, Arthur F. Maynard, and John P. Osborne legacy at the Ridgewood Art Institue. 
Post a Comment
Read more