In the never ending quest to find the ultimate painting surface I often experiment by making my own oil painting canvas panels. It does entail some work, patience and time. While it would be much easier and quicker to buy readymade stretched canvas or rolls of primed canvas, the process of making the panels makes the artwork very personal. You are involved with its lifecycle from the very beginning even before it is painted. And because of the time and energy invested in making each canvas panel there seems to be a bit more mindfulness involved in the painting process. To date I haven’t found that ultimate painting surface and so I continue to strive for it experimenting and maybe one day hopefully soon the magic moment will happen when at last perfection is achieved. But until that moment, as the saying goes “if at first you don’t succeed, try try again.”
Back in March of 2018 I decided to recreate the DuMond Prismatic Landscape Palette Chart and donate it to the Ridgewood Art Institute. That’s me above in the video creating the new chart. The original chart that we used was made by Joe Paquet. As you can see it was heavily used and covered in paint swatches. This made it difficult to discern the original values and colors that lay underneath. The new chart is much easier to read and will provide many years of use. It was nice to get a nod by former Board Member Ed Horvath of the Ridgewood Art Institute for my contribution to furthering the Frank Vincent DuMond, Arthur F. Maynard, and John P. Osborne legacy at the Ridgewood Art Institue.

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