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Alla Prima Preparation Demonstration






Sometimes I find that setting up a still life is the most complicated part of painting. Trying to find the right combination of textures, colors, surfaces etc. can drive me bats. Then there is the composition. For whatever reason I have a tendency to keep my compositions simple. Perhaps there is beauty in simplicity, who knows. Well once all of the still life objects are set up and a pleasing composition is arrived upon, I work to set up the easel. A toned linen canvas is placed upon the easel and the palette is prepared. Time is taken to prepare the palette and as you can see in the pictures, lots of paint is mixed. After the palette is prepped, a rough sketch is made upon the canvas and once the drawing is place then the painting process begins.

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