Diana K. Gibson

  This Spring has been absolutely beautiful and it has been a pleasure to experience. It always passes too quickly but perhaps that’s what makes it special. Its ephemeral quality makes us cherish all the more the reawakening landscape and the proliferation of blooms and requires from us to be present in the moment to fully appreciate its revelations. Every year I look forward to painting in the lilac gardens surrounded by the aromatic perfume wafting in the air. There is something magical happening. There is a connection being made, a commune with nature that’s soothing and liberating. Plein air painting teaches us to observe to be very present in the moment. In many ways it can be like meditation. Plein Air painting has taught me to stay in the moment and let go of control. And what I mean by letting go of control is to allow oneself to be willing to accept what happens with the weather, with the lighting conditions, with the way the painting is evolving. It’s a lesson not...

Diana K. Gibson teaches  Oil Painting, Landscape, Seascape, Still Life and Portrait for Adults and Teens. For more information regarding the following classes, please contact us.  All classes are ongoing throughout the year unless noted otherwise.  Students may join at anytime.  Oil Painting & Sketching: Portrait, Still Life & Landscape  $110 a month for either evening $200 a month for both evenings  $35 for drop in session  For students painting from the model, there is a shared model fee When: Wednesdays and Thursdays  Where: 11 Paterson Avenue 
Midland Park, NJ  Time: 7:30pm - 9:30pm Plein Air Oil Painting on Location  $40 per session When: Saturday or Sunday mornings (contingent upon weather conditions) Where: Locations provided to enrolled students  Time: 8:30am - 10:30am New: Announcing Classes for Teens and Young People coming this Fall.  Contact : To register for classes or to obtain  more inf...

  Back in March of 2018 I decided to recreate the DuMond Prismatic Landscape Palette Chart and donate it to the Ridgewood Art Institute.    That’s me above in the video creating the new chart. The original chart that we used was made by Joe Paquet.  As you can see it was heavily used and covered in paint swatches.    This made it difficult to discern the original values and colors that lay underneath. The new chart is much easier to read and will provide many years of use. It was nice to get a nod by former Board Member Ed Horvath of the Ridgewood Art Institute for my contribution to furthering the Frank Vincent DuMond, Arthur F. Maynard, and John P. Osborne legacy at the Ridgewood Art Institue.