There is always so much enjoyment visiting a museum and gazing into the works of masters. How often I have looked into the paintings, peering in trying to decipher the colors, application of pigments, techniques and approaches that the artist employed. And each time I am filled with great inspiration and long to understand much more about the paintings. Recently I was afforded an opportunity to do more than just glimpse at genius, instead I had the chance to immerse myself into a masterwork by Sorolla.
I had always wanted to paint at a museum and copy a master work, but something seemed to just get in the way. Perhaps it was just timing issues or conflicts of one sort or another. Poor excuses really. Thanks to a friend, my procrastination was replaced with action. She was very kind to bring me to the museum and she showed me just how simple it was to step through the door into another realm. An epiphany occurred the moment I walked into a large room and was greeted by a pantheon of masterpieces. A whole new world opened up to me. I felt like a kid again, gazing upwards at the magnificent murals upon the walls, awestruck completely unaware of anything but the splendor of color and light. How huge the murals were. I felt small in their presence. Drawn to the paintings, I looked the work over very closely paying attention to certain details. The paintings revealed quite some interesting things.
Some areas were painted thinly or the tone of the canvas showed through. Quick brushstrokes, drips and dribbles of paint appeared often.
I do not profess to be an expert in the analysis of paintings however when I viewed some of Sorolla's work, it did appear at least to me, that he repainted some passages. It got me thinking about how reworking or repainting a passage within a picture has its benefits.
And then of course, the colors, wow the colors of Sorolla's murals. Simply divine. The life that emanated from the color, wonderful, vigorous and exciting.
After having several turns, pacing about looking at the murals, I was fired up and ready to work from one of Sorolla's paintings. After the Bath looked decidedly like a good lesson in painting white. And indeed it proved to be an invaluable lesson. It is still in fact a lesson that is continuing to evolve. As I continue to return to the museum to work on the copy I learn more about Sorolla, more about painting white and more about myself. This I will relay in a later post. But this I can state concretely, the value of working from a masterpiece cannot ever be underestimated. It should be practiced when possible and encouraged to those who thirst for knowledge and who wish to surround themselves with greatness. I cannot say enough as to how grateful I am to Julie for bringing me to such a treasure trove of beauty and genius. Because of my experience my spirit soars and I am filled with inspiration and I feel invigorated. I look forward to returning to the museum and continuing my painting journey.